824-8 Lygon Street, Carlton North, a typical example of nineteenth-century Melburnian row architecture.  Beyond it, to the left, is the hall of the Società Isole Eolie Melbourne, an art déco gem dating from the period when Carlton was the Jewish, rather than Italian, enclave of Melbourne.  Photograph by Dean Kyte, the Melbourne Flâneur.
824-8 Lygon Street, Carlton North, a typical example of nineteenth-century Melburnian row architecture. Beyond it, to the left, is the hall of the Società Isole Eolie Melbourne, an art déco gem dating from the period when Carlton was the Jewish, rather than Italian, quarter of Melbourne.

When Alizée turned north into Lygon Street out of Fenwick, she saw him wandering slowly in the opposite direction past the Eolian Hall.  His head was turned towards the creamy déco pile, evocative, in its Mediterranean blancheur, of her homeland as it shimmered faintly in the midday heat.  The bottlegreen brim of his Fedora described a gloomy arc of shadow which just veiled his eyes, further occluded by the bluish haze of smoke from his Candela, as he tacked past the hall in a not altogether steady drift, whether dreamily attracted by its magnetism, or faintly oppressed by the rising heat, it was difficult to say at that distance.

He had adjusted his wardrobe to the weather and was wearing the limegreen dress shirt, its French cuffs folded back and cinched together by gold links which matched the garters hitching up his sleeves.  The skyblue waistcoat hung open, exposing a suggestion of suspender where the book, hugged loosely to his breast, pushed back the edge of his vest.  The dark green patterned bowtie was a little askew, its jaunty angle mimicking the rakish slant of the Fedora’s brim.  He wore the checked, mustardcoloured slacks, the breaks of which bounced gracefully over the tan, brogued wingtips of the derby boots along with his slow, loping gait as he sauntered past the hall, regarding it abstractedly and yet with a set to his mouth, around the butt of the green cigar, which implied contentment with life.

Alizée quickened her pace until just before he passed the Eolian Hall completely and turned his head back to twelve o’clock.  When he seemed on the verge of noticing her, she slowed up abruptly to match his casual saunter, raising her right hand, encumbered, as always, with the iPhone, and waved it at him.

—Buongiorno! she greeted him enthusiastically as they closed the distance.

He took the Candela out of his mouth and saluted her with it as he approached.

She came on with her habitual onslaught of high energy, running into him just before the triple row of terraces under the creamy, partly mutilated cornice which dominated this block of Lygon Street, its mascarons, jutting from corbels, projecting from ends of plaster, gazing fixedly into the green wastes of the General Cemetery across the street, stoically ignorant of the exuberant display of affection to their collective left.  For Alizée did not hesitate to kiss him fully on the lips as she flung her arms around his neck, rocking him back a little in his centre of gravity with the collision of her lips as he returned the embrace more equivocally, resting the free fingers of his right hand lightly, briefly on her flank.

—Una bella giornata, vero? she enthused.  Che sole! che cielo!  For once, Melbourne seems like home—though not, I should say, a Natale!

—Sì.  I think we’re past winter now, he admitted coolly as he stepped back from her embrace, returning the green cigar to the corner of his mouth for a quick drag.

He turned his head a little to the right, blew a plume of smoke politely to one side of her, but his hard grey eyes remained firmly fixed ahead, on Alizée, as they took the measure of her very quickly through the veil of smoke.  In an instant, his cool manner had softened a little.  Though the eyes lost none of their probing, assessing quality, they seemed to smile at her.

—You’re not in your shop today.  What are you up to? he asked with amiable brutality.

—Faccio del shopping, she said, holding up the green Woolies bag depending from her left hand.  The bag was very light—empty even.  E tu?  What are you reading?

Without waiting for a reply, she grasped the book, a slim paperback, not rudely, but with a certain proprietorial familiarity, the fingers of her left hand curling around the pages until they were against his shirtfront.  His face wore a faint, wry expression which might have signified amusement or annoyance as he let her take it away from him.

She flipped her wrist back to reveal the front cover.  It was a French giallo.  The cover showed a young brunette, slim with attractive, pointed features—not entirely dissimilar to Alizée herself—in a silk slip with spaghetti straps—rather like the green cotton playsuit she was wearing—squeezing her small tette together and regarding the graceful shadow between them with the proud absorption of feminine possession.  The photograph had been solarized so that the lowlights of the brunette’s skin were weirdly purple and the bronzy slip had been rendered garish and fauvistic.  The title was Le facteur fatal, by an author—a Belgian perhaps—calling himself Didier Daeninckx.

The left corner of Alizée’s mouth made a small reflexive moue.

—Tu lis d’trucs comme ça?

He shrugged Gallically, the end of the Candela sketching a volute of smoke—like a question mark—with the sprezzatura of the gesture.  He gave an impression of being bored by the conversation.

—I just found it in an opshop in Brunswick Road, he said, jerking his thumb back over his shoulder, indicating the direction he had come.  With the vertical movement of the cigar, the question mark crossed itself out.

—Je l’ai acheté pour lire du français.

With a slight inclination of his head,—like a very reduced bow,—he proffered his left hand, palm upward, to her, his eyes, fixed on hers with a polite insistence which seemed, simultaneously, to mock the courtliness of the silent request for repatriation.

Alizée returned Le facteur fatal to him.

There was a brief vacuum in the conversation filled only by the circulation beside them as they regarded each other for a moment of doubtful comfortability, their eyes palpating faces that were still inscrutable to each other even after six weeks.  Alizée broke the pause cautiously.

—I haven’t seen you around for a couple of weeks, she essayed hesitantly;—not since the day we went to Williamstown together.  I thought you must have gone somewhere to see your family—per Natale, perhaps?

His face lost none of its pleasant inscrutability, his eyes seeming to glitter as they squinted through the last puff of smoke he took from the Candela.  He took his time dropping the fuming butt to the asphalt and heeling it out with his derby.  He toed the flattened cylinder towards the bluestone gutter with what seemed a thoughtful bunt of his boot.

—I had to go to… Sydney per una settimana – o giù di lì.

—Ancora una volta?  You were in Sydney last month as well.

Alizée’s eyes acquired a cautiously roguish twinkle.

—Ton métier de flâneur te porte loin.

His eyes searched her face for a halfbeat, and then:

—We never sleep.

Their eyes smiled at each other and her face flushed attractively beneath the Mediterranean tan, although the smile, on his side, did not quite reach his lips.

He broke eye contact with her after a circumspect interval.  A southbound Route 1 tram was passing them, slowing with a screel of its wheels. It braked in the long perspective of Lygon Street under the petrified falaises of the City skyline erupting through the green amoncellement of trees that stood sentry along the fenceline of the General Cemetery.  He watched as it drew to a stop at the corner of Fenwick Street, the train of southbound traffic pausing deferentially in its wake, and three passengers alighted from the B-class, going their several ways with caution.

One of the typical denizens of Yarra, this one an arts student who fancied herself a feminine John Lennon, with dark, round, silverrimmed sunglasses, a loud, mannish shirt and thin black jeans, the hems of which were rolled up to reveal her Doc Martens, passed them bearing a canvas tote over her shoulder, an obnoxious slogan against the government stencilled on the side of it.  He looked down at his brogues and let the girl pass before speaking.  When he did so, it was with an experimental essay at confidence that seemed scrupulously mindful of not appearing too forceful in pressing its suit, too inconsiderate of the manifold reasons Alizée might have for rejecting the proposition.

—Look, he said, I know you have no family in this country, but I understand that you might have other… engagements on Monday.

He paused momentarily.  Alizée declined to take advantage of this fenestration in his speech as an opportunity to rise to the bait it implied.

He went on a deal more softly, and his eyes, though still sharp, still probing, still assessing her visage minutely as he spoke, almost gave an impression, as they narrowed slightly, of having hit upon a happy inspiration couched in the proposition his voice was rehearsing, one he himself had not previously divined.

—Would you perhaps like to take a cheeky avventura with me on Christmas Day? un picnic, perhaps? to an undisclosed location to be advised when your eyes are looking at it?

At the word ‘avventura’, the blue jets in Alizée’s silver eyes flared up appreciably.

—I don’t think it’s going to be as hot as this on Monday, he added as an afterthought, an additional justification to the good; an exculpation of Melbourne’s unbankable weather, of the debatable antipodean pleasure of passing a blazingly hot Christmas Day outdoors more generally—if she needed it.

Alizée did not.  Her face broke into broad enthusiasm at the idea.

—O, un’avventura sounds brilliant!  And if the weather isn’t fine, we will adventure anyway!

A soupçcon of roguish sidelight entered her eye briefly once again as her bangs shook with the enthusiastic upward movement of her head in a jerkish nod—or perhaps it was the sun alighting on her forehead as those parenthetical twin curtains moved briefly aside from their usual halfdrawn position occluding her features.

He seemed a little taken aback by how well this proposta had been received and watched her access of enthusiasm from those removes, the cool depths of assessment, with the wry indulgence of a parent giving a delightful child its head.

—Buono, he said in the next second, when she had settled down.  Then I will make i preparativi.  I’ll go to Rathdowne Street now and pick up a few things.

—Hai bisogno che porto qualcosa?

—Del vino, perhaps.  I’ll leave it to you.  Whatever you like.

—Allora…

—Allora.

His voice had acquired a seductive firmness and his mouth now joined his eyes, as they held hers gently in parting, in a very definite smile.

—A lunedì, he said softly.

—A lunedì—Ciao, caro!

She launched her lips at him again and he took the collision more gracefully this time, though he still demurred to linger long in her embrace.

—Ciao, he said, giving her one gentle pat on the derrière en passant and slipping smoothly past her to continue his southward flânerie, with more purpose in his stride this time.

He made the corner quickly, and when he had rounded it into Fenwick Street, he stopped abruptly just inside.  His eyes were turned down to the pavement and, with the gravity of his reflections, his face slowly resumed its habitual cast of dour pensiveness as his eyes scanned the asphalt for something that was within himself.  His posture seemed to relax of its own accord and he leant his shoulder to the white plaster wall of the house on the corner as he thought.

The persistent passage of traffic and trams behind him did not seem to reach him.

Then, rolling suddenly around, he turned, voltafaccia, towards Lygon Street and the grille of the General Cemetery.  He moved stealthily forward two steps until he presented the narrowest possible profile to the street and, transferring the book to his other hand, reached into the left pocket of his waistcoat.  He produced the small rectangular hand mirror and, holding it down at his hip, angled it back up Lygon Street until, in its arc, it caught the profile of the Maltese ragazza in the olive playsuit with the embroidered bodice.

Alizée had not advanced very far from where he had left her.  She was standing in front of the Eolian Hall and was studying it intently.  Her head turned from left to right, not in the big movements she had used with him, but in small ones, as if she were looking for something—a clue, perhaps, or something she had lost.

Then, as he watched her in the angle of the mirror, his face devoid of expression, she raised the iPhone and took a photo of the pile.

Antique shop, Brunswick street, Fitzroy, photographed by Dean Kyte.
Closed:  Antique shop, Brunswick street, Fitzroy.

It’s time once again to take up my pen and make some pragmatic appraisals of the current situation vis-à-vis the Coronavirus here on The Melbourne Flâneur.

As the world’s most liveable city is filed in the deep freeze yet again, your correspondent is embedded in a trench à deux pas from the front line: I have merely to turn my head and take a hinge out the window and I’m nez-à-nez with North Melbourne.

Your Melbourne Flâneur’s much-vaunted capacity to exercise his gams more dexterously than a Las Vegas showgirl is not even tested in this situation: a twenty-minute stroll would take me to 33 Alfred street, the North Melbourne tower block where 500 souls are battened down while the Coronavirus creeps among them.

So, what brought Melbourne to the extraordinary pass where the Premier was forced to reinstitute a metro-wide lockdown last Thursday?

Victorian Premier Daniel Andrews didn’t exactly fall on his sword in his self-denouncing copping to culpability over the State’s handling of hotel quarantine.  It was, methinks, more an energetic probing of one’s innards with a poniard.

It will be for the State and Commonwealth inquiries to ultimately determine to what extent mishandling of Victoria’s hotel quarantine procedures was causative in the increase of community transmission we saw throughout June.  But to the snoopy snout of yours truly, the smoking pistol doesn’t seem to lie in this direction.

The breeze seems to my sniffer to be blowing from another direction, and I don’t buy the official line set forth by the Government and the media.

This is unfortunate, as it highlights the problems in schematic collective sensemaking of the Coronavirus which I have been at pains to parse in this series.

A number of factors, psychological and political—not all of them obvious—seem to me to have more directly caused the escalation in cases which led to the Melbourne lockdown.

Let’s take a range at the timeline of events.

In Victoria, to my eye at least, the graph line tracking the total number of confirmed cases appears to take on a distinct but shallow gradient around 3 May, coincident with the Cedar Meats outbreak in Brooklyn, in the City of Brimbank.

Now, of course, we should bear in mind—(for the Premier has bored us to tears with the repetition of this fact)—that Victoria has had one of the highest rates of testing for Coronavirus anywhere in the world, and the markedly different numbers in Victoria as compared to the rest of the country are in some sense a function of the fact that the testing regimen here has been so thorough.

But, as I’m going to argue throughout this article, Melbourne is once again under lockdown because of what might be called the ‘convenience of invisibility’ associated with this virus, and the more or less arbitrary response people can make in orienting their behaviour towards the reality of it due to its invisibility and its latency of manifestation.

On 8 May, following a meeting of the National Cabinet, Prime Minister Scott Morrison announced a three-step plan for the gradual easing of Coronavirus restrictions in Australia.  Each step would be implemented approximately four weeks apart commencing in May, but the precise timetable for rollout would be at the discretion of individual states and territories.

In Victoria, the decision was taken to delay the easing of lockdown restrictions and the phased re-opening of the economy by a week or two, until more testing had been done.

One can debate the virtue of caution demonstrated in this decision, but as regards the rigorous attitude taken towards testing and data aggregation in Victoria with respect to the rest of the nation, the question for collective sensemaking seems to me to hinge on this point:

Given that the enemy is invisible; given its paradoxical speed of transmission and latency of manifestation; given its astonishing breadth of manifestation—from no symptoms at all right through to mortal respiratory failure—if one chooses to believe in the reality of a foe who reconciles all these contradictions in itself, such that it beggars the common sense and credulity of ordinary people to believe in it, and then one tests accordingly for this foe on the premises that it exists, that it is widespread, and that it is a clear and present danger to the community, one is going to find—as in the case of Victoria—more of what one is looking for than if one takes a less rigorous approach based on more limited credulity.

The cautious decisions taken by the State Government seem to reflect these assumptions in sensemaking.

Yet even within Victoria, the competition of credence and scepticism about the reality and severity of the Coronavirus, and the necessity for the hard economic measures which were taken to check it, was gathering political and social momentum.

By the middle of May, the Premier was under pressure for his apparent feet-dragging over the implementation of the COVIDSafe Roadmap.  The sedative of cash injections, which had kept people safely closeted on their fainting couches at home, was starting to wear off, and the natives were now getting restless, both physically and morally.

They wanted to get out of the house, and those with any financial stake in the economy wanted to get Victoria, the engine-room of the nation, firing on all four cylinders again.

In an egregious example of what I called, in an earlier article in this series, online viral incivility, Tim Smith, an Opposition front-bencher, tweeted that the Premier was a ‘friendless loser’ for his lenteur in opening up the state again to free movement and trade, and compared him to Lurch from The Addams Family.

But the criticism that the Premier’s approach to the easing of restrictions during the month of May was contradictory and inconsistent is valid.  On 24 May, with daily cases wrestled back down to ‘sustainable’ levels, Mr. Andrews announced that on Tuesday 26 May, the state would slowly begin to unzip the kimono in earnest.

The strategy was to join other states in territories at step 2 of the three-step recovery roadmap on 1 June, but with some modifications.  Restaurants, pubs and cafés—the agoras of Melbourne life—which were assumed, under the national roadmap, to be already open, would only be allowed to open their doors to sit-in patrons on 1 June, though at the capacity commensurate with step 2.

Tuesday 26 May is a very significant date on the Coronavirus timeline.  For as we were taking our first fresh breaths of the changeable Melbourne climate, fifteen hours behind us in Minneapolis, Minnesota, a man named George Floyd was taking his last breaths of life.

The significance of this event for the metastasis of the Coronavirus situation has not been properly appreciated.  This distant event, which would have been hardly remarked in Melbourne if the equilibrium of life had not been so thoroughly knocked off its axis by the world-historical disruption of a global pandemic, is more central to our current local crisis than many people realize, or the institutional authorities of government and media care to admit.

This unfortunate incident took preponderant hold of the public imaginary all over the world, and it also took hold in Melbourne, erasing from memory events in the media cycle which were much more locally relevant and had equally exercised the outrage of Melburnians only a month before.

A Spenglerian view of history is required to appreciate what is not even an irony but a deep morphological accord of nature, a ‘rhyme’ in the poetry of time which connects events in Melbourne and Minneapolis across miles and a month.

It’s a deep synchronicity of history that on 22 April, four police officers should be killed on Melbourne’s Eastern Freeway, the driver allegedly responsible for their deaths videoing and crowing over their final moments before fleeing the scene, and that on 25 May, one man in Minneapolis should be just as outrageously killed by four police officers, his final moments also obscenely videoed.

These two events are mirrors, inversions of each other, beats in the exponentially accelerating tattoo which time, in the 21st century, is undergoing as we cycle at ever-shortening revolutions towards existential catastrophe and civilizational collapse.

In the Spenglerian view, they are, in fact, the same event repeated: only in the superficial details, the ‘manifest content’ of the news stories, are they different from one another.  In their deepest morphology, they subscribe in all essentials to the structure and pattern of events which is characteristic of our post-Faustian times.

Both are manifestations of the principle of networkcentricity which I stated, in an earlier post, as being not only the fundamental characteristic of the Coronavirus, but of the conditions of life in the 21st century.

So why, then, should one event as horrific, as callous, and as contemptuous of human life as another, separated only by the beat of a month, have inspired a global phase shift of viral incivility online, the wave of which swept to engulf Melbourne, and the other, closer to home, should not?

The answer, I would submit, is that the exponent of belief, of credulity in the reality of the Coronavirus and the necessity of containing it, was higher in the month of April than it was in the month of May, and served to constrain the exponent of metastasizing viral incivility, which had itself undergone a step function in April and May due to the enforced idleness of a global lockdown.

Though the deaths of the four police officers on the Eastern Freeway, and the alleged behaviour of Richard Pusey, the man responsible for their deaths, was equally as outrageous as the death of George Floyd and the behaviour of Derek Chauvin and the other police officers responsible for his death, the response of Melburnians in April was not to stage a ‘peaceful riot’ to protest the outrageous behaviour of Mr. Pusey.

In compliance with what can only be considered (whether justified or unjustified) as the repressive measures of the Victorian Government to constrain freedom of expression and freedom of movement during a global pandemic, Melburnians stayed in their homes, and the extent of their demonstration against this local tragedy was to burn blue lights on their doorsteps, fly blue balloons, and tie blue ribbons to their mailboxes.

This too was an example of the viral spread of imitative behaviour in a networked world, an appropriation of the doorstep demonstrations Britons had lately made in applauding their National Health Service.

The spread of this positive behaviour was a rare example of viral civility: the synchronicity of the tragedy in Melbourne with the gratitude lately evinced towards front-line workers in Britain provided Melburnians not merely with a model for peaceful demonstration against an outrageous tragedy under conditions of social restriction, but it coincided with a positive global sentiment towards so-called ‘essential workers’ who were ‘on the front line’ of the pandemic protecting our health and safety—including police officers.

By contrast, after the death of Mr. Floyd on 25 May, there would be no global sentiment of gratitude towards the police.  In a mere month, they would go from being ‘essential workers’ to agents of state repression who ought to be ‘defunded’.

There’s no historical coincidence, no political irony in the fact that on the same day that Mr. Floyd was dying in outrageous circumstances, Melburnians were moving headlong to re-embrace their heavily restricted freedom with more alacrity than caution.  In this networked world on fast forward, the global mood, the whole tenor of feeling towards the Coronavirus had changed materially in a month, morphing, metastasizing just as fast as the virus itself via the global network of media.

What I am suggesting is that, by the time the first cautious easing of lockdown restrictions commenced in Victoria on 26 May, a critical threshold of disbelief in the reality of the Coronavirus, and of boredom with the novelty of circumstances which it had brought in its train, had taken hold of the public imaginary, not merely in Melbourne, but all over the world.

As regards the Australian scene, the sedative of cash injections and other bribes to stay at home could no longer placate the plebs.  More than two months of enforced idleness where the only social exposure was to a polluted global sensemaking architecture, a cognitive commons which had itself undergone a profound metastasis in viral incivility during that time, now had people hyped up and edgy.

They wanted to get out of the house.  They wanted to be near other people again—whatever the risk or consequence.

Moreover, it had taken more than two months of watching the Titanic of the economy sink from the safety of their living rooms for people to grok to some of n-th order infinite impact consequences of the Coronavirus which I alerted you to in my first post on this topic on 17 March.  Dimly, people began to compute that the medical component of this crisis was not even the most important aspect of this affair; that there were economic, political—and even geo-political—consequences which had been set in train in Wuhan months ago.

One of the most interesting trends I began to detect in the public conversation about the Coronavirus towards the end of the Victorian lockdown was the degree to which this nexus of crises was constellating itself on the dimension of age demographics.

The young people who would shortly throw social distancing to the wind were beginning to question the moral advisability of the decision taken by governments to preserve the lives of older people, who have done comparatively very well out of our broken politico-economic paradigm, by sacrificing the livelihoods of their impoverished offspring.

The rhetoric in April was that millennials were happy to make that sacrifice, that however atrophied their sense of civic responsibility towards their elders was by the successive deceits of Boomer governments, the fund of generational goodwill was still not entirely bankrupted.

I never believed that rhetoric.  A writer is a kind of ‘applied psychologist’, and once you’re cognizant of the psycho-social laws which govern human behaviour, you’re not deceived by such wishful thinking.

I could see a backlash coming promptly.  I knew that millennial bitterness over the betrayals of our current politico-economic paradigm ran too deeply to be materially altered by such a novel event—even one of global proportions—particularly as this world-historical event is the direct product of the extractive economic policies of successive Boomer governments, who have kicked the can of debt down the road to their children and grandchildren.

By the time the ABC broadcast their Q&A program focusing on the impact of the Coronavirus on young people on 18 May, just one week before the death of Mr. Floyd, it was impossible for a sensitive observer not to perceive that the tenor of sentiment towards the measures taken by state and Commonwealth governments, valuing human life above economic livelihood, had subtly changed.

In fine, credulity and credence in the reality of the Coronavirus had been corroded by two months of enforced idleness and exposure to a polluted cognitive commons.

The spectacle of our economy is a spectacle of distraction: almost all economic levers in a leisure-class society are pushed in the direction of maximally distracting individuals from thought.  With the mechanism largely on pause, people, in their invidious game-theoretic strategizing, began to catch up in their computations and calculate forward to the probable consequences of this crisis which I alerted you to in March.

In the case of the Coronavirus, the political problem for a government who enjoins a responsibility of idleness upon an able-bodied workforce that is normally distracted from civil unrest by the mechanics of an operating economy is that, if people are locked in their homes against an invisible enemy constellated of paradoxical contradictions, and if the government’s stay-at-home directives are successful in driving down mortality (thus rendering the virus even more ‘invisible’), people begin to question the reality of a foe they can’t see, and which beggars their common sense.

As regards the current situation in Melbourne, I argue that the Government’s success in driving down mortality during the first lockdown by miraculously engaging a willing compliance from a populace whose fund of trust they had utterly overdrawn prior to this crisis was instrumental in creating conditions whereby a second lockdown would become necessary, one in which compliance can only be engaged by overt coercion.

The issue for maintaining civil order is this:  The vacuum created by a cessation of economic activity which would have ordinarily distracted people from demonstrating their antipathies towards the Government, and the directive to stay at home so that the mortal consequences of the virus were rendered invisible to people, created conditions whereby an idle populace had time to imbibe counter-propaganda about the Coronavirus via a polluted cognitive commons.

Moreover, to put it in Realpolitik terms, if a government doesn’t set a sufficiently high benchmark on the levels of mortality it is prepared to tolerate among the population it is governing, it cannot make the clear and present threat to the public’s health sufficiently visible to encourage endogenous compliance with its stay-at-home directives.

I suspect that the majority of Western democratic governments—including Australia’s—rejected the herd immunity strategy (which would have favoured the economy) and chose suppression instead not out of any principled moral stance about ‘the sanctity of human life’, but because allowing a percentage of your population to die in peacetime not only makes you unelectable at the party-political level, but opens the state up to public liability issues in the future.

In Max Weber’s terms, killing a percentage of your population in peacetime amounts to an abuse of the monopoly of violence which the state arrogates to itself.

As far as I can see, there’s no way, in a liberal, enlightened, Western democratic society, for a government to get the balance right, and in favouring life over livelihood through a strategy of suppression, the National Cabinet opted to create conditions whereby the preservation of one demographic which was mortally vulnerable to the Coronavirus metastasized civil disaffection in another demographic which was vulnerable to its politico-economic effects.

This, I contend, was the nexus of factors which crystallized in the conjunction of George Floyd’s death and the easing of restrictions in Victoria on 26 May, and it was this conjunction which led to a phase shift, a further metastasis of the Coronavirus crisis, ultimately resulting in the present lockdown in Melbourne.

By 26 May, the distracting novelty of the situation and the one carrot the Government had at its disposal to encourage short-term compliance, the sedative of cash injections, had worn off, and the paranoid counter-narratives imbibed through the polluted cognitive commons of legacy media, Internet and social media had taken unconscious hold of the public imaginary.

I submit that when the Premier released us from lockdown, a critical threshold of incredulity had been passed in the public imaginary: people were ‘bored’ with the Coronavirus, and the successful insulation against its visibility which resulted from the Government’s suppression strategy had, during lockdown, given them time to think, to imbibe paranoid, conspiratorial counter-narratives, and to question the reality of this invisible, contradictory foe with whom very few of them had had direct contact and experience.

The rôle that boredom played in the resurgence of cases here in Melbourne cannot be overstated.

For it is one of the most salient contradictions in the behaviour of this paradoxical virus that it should spread exponentially within hours and yet take two to three weeks to become manifest in a population.  And in an economy of distraction which is operating on as advanced an exponent as ours, the tempo of which is being continually accelerated by the metastasis of the media cycle, that period of latency is now outside the scope of most people’s patience or memory.

Moreover, for those who were the least physically vulnerable to the Coronavirus but the most economically impacted by it, apart from having their goodwill towards their elders overdrawn, their patience for social distancing was also exhausted.  The exercise of liberty which had been severely restricted probably led to an over-compensation in free movement, and the high spirits of youth naturally drew people who had been physically apart more closely together than social distancing allowed.

Those are two of the more ‘innocent’ factors which contributed to the increase in cases during June.

But if one of the fault-lines of social inequality which this virus has exposed is age-based, it’s more than ironic bad luck for the Victorian Government that the death of Mr. Floyd should coincide with the political and economic anxieties of millennials, who have been agitated to civil unrest by a generation who is susceptible to the Coronavirus.

I could not have predicted that the death of a man in Minneapolis would be the catalyst to the backlash I was expecting against the severe social restrictions enjoined on us by governments as measures against the Coronavirus, but I knew that in this networked world it would require only a small historical incident to set the spark to the tinder of discontent that was primed to explode in a cascade of viral incivility all around the world—even in Melbourne.

Despite being equal in its tawdry, banal horror to the event in Minneapolis—and more locally relevant—the outrageous behaviour of Richard Pusey could not have gotten people into Swanston street en masse in late April for two reasons: their patient forbearance with the Government’s social distancing measures was not yet exhausted, and they still believed in the reality of the Coronavirus.

Those factors served to constrain civil unrest.  But the death of Mr. Floyd a month later coincided with a moment when the Government had to release people from their homes because willing, endogenous compliance with social restrictions was on the verge of faltering—if it had not already begun to do so.

In such cases, a government, if it is to preserve its legitimacy, must be seen to ‘give’ people back their liberty—for if they choose to take it back in spite of a government’s edicts, that government cannot maintain social order and cohesion in the long run.

And in a world where the legitimacy of all Western democratic governments is now being questioned by their populations, in its caution over the easing of restrictions, the Victorian Government, in mid-May, was entering a more delicate—and perhaps dangerous—period for the maintenance of social cohesion than is perhaps realized.

I doubt they could have averted the defiance of their edicts on public assembly and social distancing at the Black Lives Matter protest on 6 June by easing restrictions earlier, but they certainly judged the balance poorly by waiting until the unlucky date of 26 May.

Like the potential energy contained in an explosive charge, the kinetic impetus to exercise freedom of movement rather more than was permitted after such strict containment, and for atomized agents all feeling this release simultaneously to come closer together than social distancing allowed, coincided with an historical event which had no relevance to Melbourne, but which activated the political and economic angst of people who were bored with the Coronavirus, who were sick of the ‘holiday from life’ it had foisted upon them, and who, having been shut up in their homes, had been successfully insulated from local scenes of horror similar to those in Italy which might have convinced them of its reality.

For these reasons, I would characterize the protest in Melbourne on 6 June as a ‘peaceful riot’;—for it was, if anything, a rebellion against the governmental repression of stay-at-home restrictions and social distancing.

It was peaceful in the sense that there was—mercifully—no violence or property damage such as occurred at other protests around the world, but it was a ‘riot’ in the sense that the participants mutinied against the Government’s restrictions on public assembly and social distancing as set forth in the COVIDSafe Roadmap.

Moreover, they defied the Government deliberately and with forethought, for they had two weeks, between 26 May and 6 June, to organize the protest.

To regard the protest at a deeper level of morphological recursion, it was a deliberate rebellion against the Coronavirus itself—an emphatic statement of disbelief in it by those who were not demographically vulnerable to it, and whose economic futures had been wrecked by the Government’s response to it.

When the decision was taken to stage that protest in Melbourne, it was as imitative an instance of viral incivility in a networked world as the behaviour of Melburnians had been an instance of viral civility a month earlier, when they had imitated the behaviour of Britons by protesting the deaths of the four police officers on the Eastern Freeway from their doorsteps.

They had believed in the reality of the Coronavirus then, and the necessity to keep socially distant from one another even in a moment of communal grief and outrage.  That belief had corroded by 6 June to the point where only a demonstration of overt repression on the Government’s part could have prevented the contravention of its edicts regarding social distancing at the Black Lives Matter protest.

The morphological significance of that protest for the metastasis of the Coronavirus situation in Melbourne has not been properly understood because commentary has addressed itself to the manifest content of the protest.

It is a mistake to regard the protest in Melbourne—or any of the worldwide protests which metastasized from the incident in Minneapolis—as anything other than an unconscious movement of people together who no longer believed in the invisible reason they had lately believed in as a legitimate reason to stay apart.

What actually happened in Melbourne on 6 June, I contend, is something in line with the historical principles that Tolstoy sets forth at the end of War and Peace—some unconscious, psycho-social transmission of memetic virality.

As Tolstoy argues in his account of the campaign of 1812, unconscious beliefs command masses, and so long as those beliefs hold, an army can be swept from Paris to Moscow, carrying all before it.  But as soon as that common belief fails, as soon as a critical threshold of people no longer believe in the motive idea that was driving it, the social coherence of a people, their unity in decision and action, dissolves messily.

On 6 June, an unconscious decision was taken by a great mass of people in and around Melbourne to no longer believe wholeheartedly in the reality of the Coronavirus.  They did so in deliberate, premeditated imitation of other people they had seen take this same unconscious decision in America because another belief had supplanted the Coronavirus in the hierarchy of urgency and importance through the viral memetic transmission of social media.

This was an example of the imitative behaviour which attends the viral metastasis of incivility in a networked world which is now preponderantly tending towards a Nash equilibrium of global chaos.

In the morphological view, the protest was merely a convenient cover for the global disbelief, the global doubt in the reality of this invisible enemy that beggars belief in its weird contradictions and requires too much undistracted patience to observe its reality as visible effects.  It was the desperate searching for an excuse—any excuse at all—to shuck off the shackles of repressive restrictions and social distancing enjoined on restless people by governments they know do not have their best interests at heart.

Mr. Floyd’s unfortunate death provided a convenient excuse to get out of the house en masse.

Let us not read too deeply into the demographic makeup of attendees of the protest.  Except on the dimension of age, I think it’s a much less important factor in why this event was so key to the lockdown of Melbourne a month later than the fact that a mass communal event which defied social distancing acted unconsciously to set a visible—and to some observers, legitimate—precedent for less and less social distancing in the month of June.

The rise in cases in northern and western Melbourne throughout that month is less a function of the protest per se than it is a consequence of the implicit licence that event gave to Melburnians to become (as the Premier said with understandable exasperation) ‘complacent’ in their attitude towards social distancing.

Until a vaccine is rolled out, control of this virus will always be a function of the population’s endogenous compliance with social distancing.

The particular virulence of outbreaks in northern and western parts of Melbourne—the City of Hume, the City of Brimbank, the City of Moreland—is in some part a function of socio-economic levels in the northern and western suburbs which have been inordinately affected.

Socio-economic level as a function of education implies that in conditions of enforced idleness where the only constant social contact is via a polluted cognitive commons undergoing a metastasis in psychosis, people in these communities are more vulnerable to paranoid, conspiratorial counter-narratives to the Government’s propaganda, and therefore less likely to heed or trust its haranguings about the need for social distancing.

And it is precisely in these lower socio-economic suburbs of Melbourne where a more casual attitude towards social distancing is likely to manifest itself as an increase in cases.

In my flâneries, I have had a wide experience of Melbourne and Victoria since the beginning of June.  I’ve ventured into the City of Port Phillip and the City of Yarra; I’ve been to Sunbury, in the City of Hume; I was in Bacchus Marsh, in Moorabool Shire, at the time of the protest; and I’ve lately come back from Sale, in Wellington Shire.

In greater Melbourne, at least, my anecdotal observation in June and July was that, wherever I went, people had utterly abandoned the idea of social distancing.  It’s been rather vexing to endure people trying to sit in your lap while you’re standing up the last several weeks, practically draping themselves over you like a mink stole as you wait at traffic lights.

In the acceleration of the media cycle, the Coronavirus, in the minds of Melburnians, was ‘over’ weeks ago.

By means of online viral incivility, the outrageousness of the death of Mr. Floyd hijacked a sufficient threshold of attention in this economy of distraction as to push the Coronavirus down the news feed in people’s minds.

My prediction is that the next phase shift, the next level of metastasis that the Coronavirus will undergo is as a tool of overt coercion and repression by governments around the world.  In Australia, at least, our Government had a honeymoon period of trust with people which had more to do with self-interest than goodwill towards the Government: as long as people believed their lives to be threatened by this invisible foe, they were prepared to go along with the repressive measures prescribed.

But as Professor Liam Smith, a behavioural psychologist at Monash University who has been advising the Victorian Government, stated on the ABC’s 7:30 program, it is probable that we will see lower levels of compliance with a second lockdown in Melbourne.

This is because people are exhausted and bored with this pandemic, which is no longer a novel experience, and in their distractibility, their minds have become hardened and resistant to the Government’s message of social distancing.

Having heard Mr. Andrews’ uninspiring rhetoric all before, they’re tuning ‘Lurch’ out this time around.

Throughout human history, institutional authorities have used invisible beliefs to coerce endogenous compliance with their policies in the populations they govern.  The principle is that the belief is invisible but immanent within the population: the evil walks among us.  It is probably even within our own hearts and minds.

But unlike ‘the Devil’ in medieval times, the threat of ‘Communism’ during the Cold War, the threat of ‘terrorism’ after 9/11, or even the threat of systemic ‘racism’ that has undergone a phase shift in metastasis since the death of Mr. Floyd, the Coronavirus is the most ‘made-to-order’ invisible belief that governments have had to coerce endogenous compliance from their populations in a long time, because unlike the examples cited, the actual mortality of this invisible belief means that there is less room for doubt and plausible deniability by naysayers.

Moreover, if you don’t think the Coronavirus is a carpet-bagging gold rush on coercive data collection, another tool by governments to track and surveil your movements each time you enter a shop or sit down at a café, you’re not thinking about the long-term ramifications of the short-term justifications for ‘contact tracing’.

I’ll wager that the next front in the metastasis of the Coronavirus as an invisible belief to justify coercive endogenous compliance is the wearing of masks.

Just as a global dissolution of credulity in the Coronavirus began in America with the unfortunate death of Mr. Floyd, we already begin to see that societal fault-line manifesting itself in America.  While the Victorian Government hasn’t made the wearing of masks mandatory, the Premier leant the colour of his support to the wearing of masks over the weekend.

As an identitarian flag identifying those who subscribe to the faith and those who don’t, the wearing or not wearing of masks, I wager, will soon become weaponized as another convenient tool of governments to divide populations and keep them distracted from the carpet-bagging data-grab.  Mask-wearers will be suborned by their sense of duty into policing the infidels, shaming them into compliance through viral incivility on social media.

That’s my bet.  Anyone care to take that action?

A few months ago in Brisbane, I shared an extract with you from the book I am writing.  This week on The Melbourne Flâneur, I flâne around Docklands, taking advantage of the warmer weather to sit by the Yarra and read you a new extract.

At this stage, I am approximately 60 per cent of the way through the second draft of the book—which is where the ‘real writing’ occurs.  I don’t write so much as rewrite.

I use a lot of metaphors to describe my approach to writing.  Sometimes I think of it as ‘architectural’, other times as ‘musical’, or even ‘painterly’.  But oftentimes when I think about my process of writing and publishing a book, I compare it to ‘sculpting’.

As demonstrated in the video above, ultimately I am writing thought.  The action of the scene is simple enough: walking downhill at night.  The thoughts that take place on that flânerie, however, are not simple to describe or make intelligible to the reader.

Michelangelo (some of whose sonnets I have translated), said that ‘every block of stone has a statue inside itself’, and that ‘to free the captive / Is all the hand which obeys the intellect may do.’

It is as though I am ‘hewing’ my thoughts out of a block of dense fog in my mind, and it takes several passes with the chisel and the file over successive drafts to sculpt those thoughts into their final, perfect form in words.

If you work from a plan or outline for your book (and you always should), this is like a sculptor’s maquette: it is a skeletal, bare bones structure which represents all the parts of your book and their relations to each other.

Writing your first draft is like modelling in clay: it’s a time to get your hands dirty and play.  I always write the first draft by hand because it allows me to explore the lineaments of my thought, probing and shaping its first vague outlines.

The second draft, as I said, is where the ‘real writing’ takes place.  It is the longest and most difficult part of the process because you have to ‘carve out’ what is vague and implicit in the first draft.

The second draft is about maximal amplification and clarification, so I rewrite my entire book, carving out every detail that I passed over lightly and summarily in the first draft until I’m satisfied that my thought is fully explicated.

In the extract I share with you in the video above, this is the point you find me at with regards to that walk downhill: all the implicit thoughts in back of that simple action are now explicit.

It’s perfectly acceptable to ‘overwrite’ in your second draft: as Michelangelo said, sculpture is the art of subtraction, of ‘taking away’—but you can’t take away words you haven’t written to begin with.

The third draft is about subtracting the inessential, and if you are writing a book for the first time, this is the point where you may consider engaging a professional editor to help you decide what to take away.

All editors have different methodologies, but as you might imagine, with my Artisanal Desktop Publishing service, I tend to regard your words as though they formed an object in space, something I can see ‘in the round’, like a sculpture, and I’m very good at discerning what is inessential and what is core to the structure of your book.

If you enjoy this video and would to see more ‘episodes’ in the future, as I update you on the progress of my next book, taking you inside my Artisanal Desktop Publishing process, I’d appreciate it if you like the video on Vimeo or leave an encouraging comment.  You can also share your own steps to writing a book with me in the comments below.